Exit 8 Dir. Genki Kawamura 👺If this isn’t seen as the best ad for a Japanese PT-like Steam game, but instead as a surprisingly entertaining horror film, I’d be perfectly fine with that. Kawamura is definitely a director worth watching, especially for achieving the new modern standard of
e.t.d.s. IDK 🫡This mixtape stands out on its own, even outside the IDK universe, and it’s already a strong contender for the best rap project of the year, if not one of the best albums. The production by No I.D., Conductor Williams, and IDK himself
Piss In The Wind Joji đź«°I appreacite the experimentation to make beats of seemingly very different sonic aesthetics, not all of these worked for me. On the 0ther hand, the album has potential to get more cohesive with further listening sessions.
Hamnet Dir. Chloé Zhao 👍Great film overall with stunning cinematography and performances. The use of Max Richter’s score during the ominous scenes was an unexpected but brilliant choice.
URGH Mandy, Indiana đź‘ŤAs my introduction to Mandy, Indiana, this record was a shock to the system. The pacing is breakneck, with erratic beat switches that result in a visceral sensory overload. I suspect this chaotic energy would be an ideal companion for aerobic activity.
The Falloff J. Cole đź‘ŤJermaine delivered on his promise to go out with a bang on the prophezied exit left. Incredible beat production and impressive bars galore, as a fellow unc, I appreacited the bravado of a man looking back on the journey with tears in his eyes and a
⚠️What does a decade of paying Spotify’s monthly subscription fees provide? Essentially, nothing. Do you own any of the music? Is the algorithm merely a music discovery service that presents you with content you may not even enjoy?💡Consider the following alternative: cease using the streaming service and instead